![]() I am still working doing theatre festivals and film and TV and loving it. I have had a lot of amazing opportunities and experiences that wouldn’t have been possible had I not made great connections with my fellow classmates and Graduate class. I had made an impression on a few people I know because the artistic director for Obsidian was literally handing me opportunities like doing a Shakespeare workshop fully paid by the company and he forwarded my contact to a great little theatre company called Small Wooden shoe to work on a greek tragedy piece newly adapted called Antigone. In my time with each cast I learned about how to make connections and put myself out there to be seen and build relationships. I was stricken with luck once again as a few characters had dropped from the SIA’s following show of A Midsummer Nights Dream and I worked on that show which thankfully was a comedy. Partying was tamer and more enjoyable, not quite as desperate as it had begun. Romeo and Juliet was remounted and I was back at it and enjoying life. To break the monotony, a friend of mine who was working on her PhD had also started her own production company and had written a short film with myself and other classmate of mine in mind so we spent our free weekends for a few weeks filming that from seven at night to ten the next morning, it was exhausting but worth it. Kaleb Alexander (BFA 2010) and Xuan Fraser (BFA 1994) I learned a lot from that cast, about how to balance a life and a career everyday in the rehearsal room I had to show up to these people or I would be falling flat on my face. I booked Romeo in Romeo and Juliet for Shakespeare in Action and I felt honoured to play such an iconic character and terrified as this was only my first year out of theatre school and everyone sitting at the table for our first reading was so much older and experienced in life and the business. I was lucky enough to book a few commercial gigs but partying became more of an escape from the frustrations of working a joe job rather than a celebration. When September hit it really started to sink in that going out every night wasn’t a totally feasible way of living. I was thankful for my training, in that I was able to focus on the show when I wasn’t out partying to release the stress of finally being done school. While all of that was going on I was adjusting to living downtown with two of my classmates. The summer after fourth year, I toured with Humber River Shakespeare doing Taming of the Shrew. We caught up with Actor Kaleb Alexander (BFA 2010) and he shared some intimate details about his first two years out in the profession: he’s been busy, doing mostly classical theatre, and has had to find balance in his life between work and play. Helen Carswell Chair in Community Engaged Research in the Arts.Sensorium: Centre for Digital Art and Technology.MA|PhD in Art History and Visual Culture.MFA|PhD in Theatre, Dance & Performance Studies.Pathway to Master of Management Program.In a Twitter post by Steve Wolfhard, the original ending of " Ocarina" would include that child Bronwyn would appear, and her father not mentioning Jake due to Jake's childishness.She has a definite interest in skateboarding, spending much of her time at home drawing board designs, and skating with her friends at a skate park in the woods.īronwyn is an amazingly skilled skater, and she also is shown to have the ability to teleport herself via lightning using her horn. Bronwyn is also a skilled artist, as indicated by her drawings of skateboard designs. Despite this, she does in fact care for both of them and takes her father's advice seriously. Her hair is noticeably shorter.īronwyn can be seen as an average teenager, putting up a cool front in the presence of her like-aged friends, while still being easily embarrassed and frustrated by her grandfather and father. She also wears a red scarf around her neck. ![]() In " Obsidian," she wears a grey shirt with a bolt motif, ripped pants, and carries a backpack and her skateboard. ![]() Her shoes have white straps (one on each shoe) as fasteners. For footwear, Bronwyn wears light green ankle length sneakers with white socks. She also wears a skull shaped helmet, and white knee and elbow pads. The dress has a lightning bolt motif on the front (likely a reference to her lightning powers). In " Wheels," Bronwyn dresses in a long blue-green dress with a white collar and buttons that reaches down to her knees. She has her mother's bear nose and snout, but her father's eyes and rainicorn horn, which is shown in " Wheels" to be the main source of her teleportation powers, via lightning. Her long hair is a light blonde color, like Lady Rainicorn's mane, and it conceals her right eye. Bronwyn has yellow-orange fur, similar to that of Jake's.
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